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| WELCOME IN ARTEORIELLAWEB
email -arteoriella@virgilio.it |
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Oriella Francini is been born to Florence. In the 1990 it has been moved to Murlo, Etruscan village in province of Siena. Its search moves recovering the original shape of old terrecotte for the cover of roofs, great goblets and tegole, on which work a continuous rivisitazione turns to characterize their communicating spirit. “For Oriella to put in existence a sculpture it is like putting in scene a commedia of which it is to contempo the author, scenografo, costumista and director. For the artist the sign left on the object from the time is important because it tells already a history, on which the inspiration in shape of artistic object is realized, therefore the terrecotte “trasformiste “of Oriella Francini they change “the objet trouve” in ritratto precious and allusive. |
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For the artist the sign left on the object from the time is important because it tells already a history, on which the inspiration in shape of artistic object is realized, therefore the terrecotte “trasformiste “of Oriella Francini they change “the objet trouve” in ritratto precious and allusive. From the terracotta to the paper Oriella Francini it increases its repertorio of new intriguers personages; “faces build up to you in the unisono of painting and collage”, breaking off the traditional formal equilibrium in order to emphasize, in their polimorfa and trasgressiva architecture, the human contradictions facing topics of the present time, the political and social report with witty reasonings, nearly puzzle of various images in continuous correlation. And it is always in the sign that the citation of simbologie of the daily paper is made richer because the artist assembles with effective illusionismo fragments of image removed to the patinated reports and the sum to the color and the sign, that the beginning of a story, an emotion, a social uneasiness becomes the beginning of a compositiva pluralità that invites to one concatenation of sense between subject and object. From the experience of the obtained figures from the materica and pittorica vestitura of old goblets to “ritratti” of first collage until intersection between painting collage and digita them, the artist follows the topics and the urgencies of the truth like paths that invite beyond to the aesthetic appreciation to the cultural reflection. (Roberta Fiorini) “The artistic operation of Oriella Francini, is not therefore only aesthetic, but also cultural and succeeds in to interest a field much deeper: it is the affirmation of the co-existence of last and present, tradition and old and new innovation of. The affirmation of enduring of the life “. |
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